By Nathaniel Hawthorne
From one among America's maximum writers come those vintage stories of magical creatures and adventures written in particular for kids. listed here are the tales of King Midas, the fellow who used to be in a position to flip every thing he touched into gold; Hercules, the best and most powerful hero of all time; the Gorgons, merciless witches with snakes for hair; and lots of different awesome warriors and evil monsters. comprises "The Gorgon's Head," "The Golden Touch," "The Paradise of Children," "The 3 Golden Apples," "The dazzling Pitchers," and "The Chimaera."
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Additional resources for A Wonder Book: Heroes and Monsters of Greek Mythology (Dover Children's Evergreen Classics)
Here we have an extremely precise image, never seen before, yet recognized with reference not merely to its form but also to its form in motion, and linked, besides, to an immediate, unplanned, unlearned, and even unintended system of appropriate action: flight to cover. The image of the inherited enemy is already sleeping in the nervous system, and along with it the well-proven reaction. Furthermore, even if all the hawks in the world were to vanish, their image would still sleep in the soul of the chicknever to be roused, however, unless by some accident of art; for example, a repetition of the clever experiment of the wooden hawk on a wire.
Now the eastern Aleutians, . to Its northern margin in the Arctic Ocean . It was an area that could accommodate rna . ny permanent resIdents, human and . I and it endured for a I ongertim a01ma, [ 7 e c. 0,000 years] than that docU men ted fo th . r e entIre period of human ocCupancy . coastal 10 America. The southern ent froareahw~s ecologically quite differm t e lOt· . vided th b . enor regIOns and prothe sea oe. aSIS for the differentiation of -n~~dM' f the Aleuts ongolOlds, ancestors 0 and Eski .
Orders: (1) of hunting and gat~enng tnbes, and (2) of the earliest plantlllg ~ultures. The Paleolithic Venus of Laussel (Figure 66, page 47), shown elevating i~ her. right hand a bison horn engraved with thirteen vertical strokes, the other hand on her belly, is from a rock shelter in the Dordogne, southern France, of a date c. C. She is representahve here of the mythologies of the hunt, of which (although no word survives from her time) there is rich evidence in the rock paintings and engravings of a period of magnificent religious art which endured for 300 centuries.
A Wonder Book: Heroes and Monsters of Greek Mythology (Dover Children's Evergreen Classics) by Nathaniel Hawthorne